Gateway to Italian Songs and Arias: Low Voice, Alfred Music Publishing. Singing in style: A guide to vocal performance practices. Luciano Pavarotti - Live Recital, Luciano Pavarotti ( tenor), Leone Magiera (piano), contains "Dolente immagine di fille mia", "Malinconia, ninfa gentile", "Vanne, o rosa fortunata", "Bella Nice, che d'amore" and "Ma rendi pur contento".Vanne, o rosa fortunata, Arietta, Vanne, o rosa fortunata. An Italian Songbook, Cecilia Bartoli ( mezzo-soprano), James Levine (piano), contains "Vaga luna che inargenti", "Per pietà, bell' idol mio", "Farfalletta", "Dolente immagine di fille mia", "Vanne, o rosa fortunata", "Torna vezzosa fillide", "Il fervido desiderio", "Malinconia, ninfa gentile", and "L'abbandono". The Composizioni da Camera is a set of fifteen collected compositions for voice and piano by.Similarly, the program order and key of each piece is open to the performer's discretion. Like Pavarotti, most singers present only certain selections from this work. The famous tenor performed five of these songs at the Metropolitan Opera with James Levine in a 1988 recital. This resurgence of interest in Bellini's non-operatic works may perhaps be attributed to performances by singers like Luciano Pavarotti. Each piece within Composizioni da Camera revolves around a common theme: unrequited love.īellini's Composizioni da Camera have become a recital favorite of many singers. With only a simple four-measure piano introduction, the singer begins in a medium vocal tessitura singing in a speech-like manner. In response to their romantic theme and florid imagery, Bellini provides restrained and enchanting melodies. Vanne, o rosa fortunata begins in 6/8 time in the key of G major. Piano Accompaniment,Voice Score,Set of Parts Romantic Period,Classical Period Composed by Vincenzo Bellini (1801-1835). The poetry is in most cases anonymous and usually incorporates a folk meter. Bellini-Vanne,o rosa fortunata,for Violin and Piano Vincenzo Bellini. While these works find few similarities with the operatic style of the early 19th century, it is likely that some folk influence, especially from Bellini's native Sicily, may have inspired their melodies. This kind of texture contrasts strikingly against Bellini's melodramatic and emotive arias in operas like Norma. This famous example is strophic and plainly sung with scant accompaniment. Provided to YouTube by Universal Music GroupBellini: Vanne, o rosa fortunata Cecilia Bartoli James LevineCecilia Bartoli - An Italian Songbook 1997 Decc.
While the romanzas may contain some dramatic elements, the ariette conform to a song-like melody as in Vaga luna, che inargenti.
The general style of these works is more simplistic and tuneful than Bellini's operatic text-setting. The first is a group of six compositions of varying genres, while the second and third sections contain three and six compositions, respectively, called ariette. The collection consists of three main sections. First published under the title Composizioni da Camera by the Milan publisher Ricordi in 1935 on the centenary of Bellini's death, it is unlikely that Bellini ever considered these works as a whole.
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