You can hear what they feel about my teaching in the testimonial section. I am also providing master classes in Italy and USA in month of July and August respectively. I am having students all round the globe who are learning from me for the past many years. Passion inspiration & methodical practice is the key. It has been my fervour & joy to share, help & inspire which has resulted in a combination of traditional & modern approach to teach Bansuri. I've had the privilege of performing & recording with artists in India, USA, EUROPE in genres that extend well beyond traditional classical Hindustani while strongly maintaining my own. Of course, all this couldn't happen without the strength & solidity that arise out of my training & gurus efforts. Most of the famed and celebrated Flautists of the country have some lineage associated with this musical family and I was fortunate to have been a student of this school directly. Raghunath Prasannaji introduced many techniques which has made the instrument more versatile and expanded its capabilities to express more styles of music. Rajendra Prasannaji who family has contributed immensely for the evolution of Indian Flute.
I have learnt the art of flute playing from renowned exponent of the bansuri Pt. The index, middle, and ring fingers of both hands are usually used to finger the six hole bansuri. The Bansuri or Indian flute as it's commonly known " happened " to me when I was a child, it has since been a way of life and not just an instrument for me. Another common and similar Indian flute played in South India is the venu, which is shorter in length and has 8 finger holes (this type of Indian flute is played by the Carnatic musician Shashank Subramanyam).
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